Terrence Cameron Kite has been named a 2015 Outstanding Student Achievement in Contemporary Sculpture Honorable Mention by the International Sculpture Center’s 2015 Outstanding Student Achievement in Contemporary Sculpture Award program. Out of an exceptional number of nominees; 423 students from over 158 colleges and universities, world-wide. The jury, which included Chakaia Booker, Sculptor, NY; Kelly Kivland, Assistant Curator at Dia Art Foundation, NY; and Maki Hajikano, Associate Professor of Fine Arts at York College at CUNY, NY, reviewed more than 952 images of student art work to make their selections for this prestigious award. Terrence Kite will be recognized in the 2015 October issue of Sculpture magazine, as well as on the www.sculpture.org website.
Poet and Art Critic John Yau
Public Lecture: Thursday April 9, 2015, 7:30 PM
Room 109 – Art and Architecture Building
Poetry Reading: Wednesday April 8, 7 PM
Hodges Library Auditorium
Sponsored by VADSCO, UTK School of Art, and the Department of English
John Yau is a poet, fiction writer, critic, publisher of Black Square Editions, freelance curator, and an Associate Professor in Critical Studies at Rutgers. His recent books include A Thing Among Things: The Art of Jasper Johns (D.A.P./Distributed Art Publishers, 2008) and Further Adventures in Monochrome (Copper Canyon Press, 2012). His reviews have appeared in Artforum, Art in America, Art News, Bookforum, and the Los Angeles Times. He was the arts editor for the Brooklyn Rail from 2006 to 2011. In January 2012 he started the online magazine HyperallergicWeekend with three other writers.
In 1996, he curated Ed Moses:A Retrospective of Paintings and Drawingsfor the Museum of Contemporary Art in Los Angeles. In 2010, Yau helped organize Oil and Water for Stephen Harvey Fine Art Projects. In 2012, he organized Broken/Window/Plane for Tracy Williams, New York City.
He has collaborated with many artists, including Norman Bluhm, Ed Paschke, Peter Saul, Pat Steir, Jürgen Partenheimer, Norbert Prangenberg, Squeak Carnwath, Thomas Nozkowski, Max Gimblett, and Richard Tuttle, on different projects. These collaborations have been exhibited in the Museum of Modern Art, New York City: the Kunstmuseum Bonn, Germany; and the Queensland Art Gallery, South Brisbane, Australia.
He has received grants and fellowships for his poetry, fiction, and criticism from the John Simon Guggenheim Foundation, National Endowment for the Arts, New York Foundation for the Arts, Foundation for Contemporary Performance Art, Peter S. Reed Foundation, Ingram Merrill Foundation, and Creative Capital/Warhol Foundation. His awards include a General Electric Foundation Award, a Lavan Award from the Academy of American Poets, and the Brendan Gill Award. In 2002, he was named a Chevalier in the Order of Arts and Letters by the French government.
March 18-21, 2015 The University of Tennessee hosted more than 1,500 printmakers from around the world for the SGC International Conference. Held at the Knoxville Convention Center and on the UT campus, the conference included keynote addresses, panel sessions, technical demonstrations, a product fair and numerous exhibitions. The conference web site is: http://web.utk.edu/~sphere.
Numerous exhibitions and events were held during the conference that were free and open to the public. Taken as a whole, March was printmaking month in Knoxville!
A two-page PDF with a listing of exhibitions and events is posted at:
For more information, contact Beauvais Lyons (email@example.com).
Midway through its first year, the Smart Communities Initiative at UT has already made a major impact—both on the students and faculty involved in the projects and on our first-year partner, the city of Cleveland, Tennessee.
This year, faculty and students in twenty courses are working on thirteen projects as part of the initiative. One of the projects is developing a marketing and branding plan for Cleveland.
Just before the winter break, Cleveland city officials came to campus for a two-hour presentation by Associate Professor Deb Shmerler’s senior graphic design class, which spent last semester doing research to lay the groundwork for the branding campaign.
Through interviews, discussions, and an online survey, Shmerler’s students learned that Cleveland residents want to retain their community’s history and balance its southern charm while embracing industry. Cleveland residents are also determined to counter urban sprawl with small-town ingenuity, capitalize on the beauty of the surrounding area, and promote a healthful, balanced lifestyle.
A small group of Shmerler’s students have traveled to Cleveland this month to present their findings to the Cleveland City Council. They’ll spend the rest of the semester developing visual ideas for the city’s brand and preparing a final report.
SCI is a key component of Experience Learning—the Universities new Quality Enhancement Plan, part of our reaccreditation process for the Southern Association of Colleges and Schools Commission on Colleges.
Read more about the Smart Communities Initiative here.
School of Art – Aliza Nisenbaum, Spring 2015 Artist-in-Residence (AIR) Lecture
Thursday, Feb. 19, 7:30pm, Rm 109, A+A Building
“Hybridizing a tradition of French fin-de-siecle and post-war American intimism with a decidedly personal, non-traditional subject matter and galvanic palette, Nisenbaum makes portraits of undocumented “illegal” Latin American immigrants, hand-written letters, books, and bouquets of flowers. Her ornate works, which are also known to feature patterned textiles and lush surfaces, are richly and compactly crafted in bright, dense hues. They are as much about painting as what they depict. In what she does, the intimacy of paint is indissociable from the intimacy of what she portrays and how she portrays it– tête-à-tête, close up, some times cropped, often filling up, but never over-crowding the space of the picture. And yet for all their intimacy and the signifiers through which it is traditionally, if anachronistically portrayed– letters, books, and flowers– Nisenbaum paintings’ nevertheless raise doubts about the feasibility of intimacy, perceiving it less as a fact of life than an ethical mode, won through the increasingly rare act of paying attention.” Chris Sharp
Aliza Nisenbaum (1977, Mexico City) received her MFA from The School of the Art Institute of Chicago in 2005. Recent one and two-person exhibitions include: Aliza Nisenbaum, White Columns, New York; Portraits, Letters, Books and Flowers, Lulu, Mexico City (2014); Aliza Nisenbaum and Tadhg McSweeney, Kevin Kavanagh gallery Dublin, Ireland (2013); Aliza Nisenbaum at Immigrant Movement International, Queens, New York (2013); Holly Coulis and Aliza Nisenbaum, Susanne Hilberry gallery, Detroit, MI (2013). We Remembered, We Anticipated a Peacock and We Find a Peony, Patricia Treib and Aliza Nisenbaum, Golden gallery, New York (2011); Aliza Nisenbaum New Paintings, Julius Caesar, Chicago (2011). In 2014 she won a Rema Hort Mann Award, and was included in the “Future Greats” section of Art Review Magazine. Her recent show at White Columns was reviewed in Art in American and this months’ issue of the Brooklyn Rail.
B.J. Alumbaugh and Raluca Iancu, both printmaking graduate students in the UT School of Art have been recognized in two separate, highly competitive fellowship competitions.
B. J. Alumbaugh, a second year graduate student has been selected to receive the 2015 SGCI International Graduate Fellowship for $1,000. The fellowship will support a project that he will complete during his thesis year, and will be exhibited at the 2016 SGC International conference in Portland, Oregon next March. Alumbaugh will be presented the award during the upcoming SGC International Conference to be held in Knoxville in March. Alumbaugh received his BFA degree from the University of Northern Iowa and worked at Yee Haw Industries before starting his graduate studies at Tennessee.
For his project he will create an immersive space utilizing variable editioning. On his project Alumbaugh states “I am interested in the ways we take in and reproduce information, whether it is through CMYK printing or RGB on-screen viewing, we absorb information through highly evolved, codified systems. These systems are exactly calibrated, and in most cases, their underlying mechanics are invisible to us when viewing them. I enjoy seeing what happens when these color registration systems are disrupted to reveal what lies underneath. When broken down, they create new and dynamic visual languages to be experienced in a much different way than their original intent. I want to create a space for rich commentary on variable methods in contemporary printmaking, and I see this project as a way to focus on process as the subject matter itself.”
Third-year graduate student Raluca Iancu has been selected to receive the 2015 Frogman’s Print and Paper Workshop Graduate Fellowship. As recipient, she will present an exhibition of her work at the Warren M. Lee Center for Fine Arts on the campus of the University of South Dakota in July 2015. In addition to the solo exhibition, Iancu will also have her course fees waived to attend the Frogman’s 2015 Print Workshop. Iancu, who completed her BFA from the Nova Scotia College of Art and Design, and received the J. Wallace & Katie Dean Graduate Fellowship
during her first year at UT, will be the third graduate student from UT to be selected for this award since it was established eight years ago. The subject of Iancu’s art is crashes of various sorts; cars, planes, boats and trains. Iancu is interested in the media representation of such crashes, their trivializing by over exposure and the loss of empathy for the victims.
10 a.m. – 6 p.m. This annual exhibition, now in its 3rd year, features the work of 13 graduate students currently in pursuit of their MFA at the University of Tennessee, Knoxville. The inaugural Orange Exhibition opened in February 2013
at White Box in NYC, and Orange2 opened in Chicago last February at