Midway through its first year, the Smart Communities Initiative at UT has already made a major impact—both on the students and faculty involved in the projects and on our first-year partner, the city of Cleveland, Tennessee.
This year, faculty and students in twenty courses are working on thirteen projects as part of the initiative. One of the projects is developing a marketing and branding plan for Cleveland.
Just before the winter break, Cleveland city officials came to campus for a two-hour presentation by Associate Professor Deb Shmerler’s senior graphic design class, which spent last semester doing research to lay the groundwork for the branding campaign.
Through interviews, discussions, and an online survey, Shmerler’s students learned that Cleveland residents want to retain their community’s history and balance its southern charm while embracing industry. Cleveland residents are also determined to counter urban sprawl with small-town ingenuity, capitalize on the beauty of the surrounding area, and promote a healthful, balanced lifestyle.
A small group of Shmerler’s students have traveled to Cleveland this month to present their findings to the Cleveland City Council. They’ll spend the rest of the semester developing visual ideas for the city’s brand and preparing a final report.
SCI is a key component of Experience Learning—the Universities new Quality Enhancement Plan, part of our reaccreditation process for the Southern Association of Colleges and Schools Commission on Colleges.
Read more about the Smart Communities Initiative here.
School of Art – Aliza Nisenbaum, Spring 2015 Artist-in-Residence (AIR) Lecture
Thursday, Feb. 19, 7:30pm, Rm 109, A+A Building
“Hybridizing a tradition of French fin-de-siecle and post-war American intimism with a decidedly personal, non-traditional subject matter and galvanic palette, Nisenbaum makes portraits of undocumented “illegal” Latin American immigrants, hand-written letters, books, and bouquets of flowers. Her ornate works, which are also known to feature patterned textiles and lush surfaces, are richly and compactly crafted in bright, dense hues. They are as much about painting as what they depict. In what she does, the intimacy of paint is indissociable from the intimacy of what she portrays and how she portrays it– tête-à-tête, close up, some times cropped, often filling up, but never over-crowding the space of the picture. And yet for all their intimacy and the signifiers through which it is traditionally, if anachronistically portrayed– letters, books, and flowers– Nisenbaum paintings’ nevertheless raise doubts about the feasibility of intimacy, perceiving it less as a fact of life than an ethical mode, won through the increasingly rare act of paying attention.” Chris Sharp
Aliza Nisenbaum (1977, Mexico City) received her MFA from The School of the Art Institute of Chicago in 2005. Recent one and two-person exhibitions include: Aliza Nisenbaum, White Columns, New York; Portraits, Letters, Books and Flowers, Lulu, Mexico City (2014); Aliza Nisenbaum and Tadhg McSweeney, Kevin Kavanagh gallery Dublin, Ireland (2013); Aliza Nisenbaum at Immigrant Movement International, Queens, New York (2013); Holly Coulis and Aliza Nisenbaum, Susanne Hilberry gallery, Detroit, MI (2013). We Remembered, We Anticipated a Peacock and We Find a Peony, Patricia Treib and Aliza Nisenbaum, Golden gallery, New York (2011); Aliza Nisenbaum New Paintings, Julius Caesar, Chicago (2011). In 2014 she won a Rema Hort Mann Award, and was included in the “Future Greats” section of Art Review Magazine. Her recent show at White Columns was reviewed in Art in American and this months’ issue of the Brooklyn Rail.
B.J. Alumbaugh and Raluca Iancu, both printmaking graduate students in the UT School of Art have been recognized in two separate, highly competitive fellowship competitions.
B. J. Alumbaugh, a second year graduate student has been selected to receive the 2015 SGCI International Graduate Fellowship for $1,000. The fellowship will support a project that he will complete during his thesis year, and will be exhibited at the 2016 SGC International conference in Portland, Oregon next March. Alumbaugh will be presented the award during the upcoming SGC International Conference to be held in Knoxville in March. Alumbaugh received his BFA degree from the University of Northern Iowa and worked at Yee Haw Industries before starting his graduate studies at Tennessee.
For his project he will create an immersive space utilizing variable editioning. On his project Alumbaugh states “I am interested in the ways we take in and reproduce information, whether it is through CMYK printing or RGB on-screen viewing, we absorb information through highly evolved, codified systems. These systems are exactly calibrated, and in most cases, their underlying mechanics are invisible to us when viewing them. I enjoy seeing what happens when these color registration systems are disrupted to reveal what lies underneath. When broken down, they create new and dynamic visual languages to be experienced in a much different way than their original intent. I want to create a space for rich commentary on variable methods in contemporary printmaking, and I see this project as a way to focus on process as the subject matter itself.”
Third-year graduate student Raluca Iancu has been selected to receive the 2015 Frogman’s Print and Paper Workshop Graduate Fellowship. As recipient, she will present an exhibition of her work at the Warren M. Lee Center for Fine Arts on the campus of the University of South Dakota in July 2015. In addition to the solo exhibition, Iancu will also have her course fees waived to attend the Frogman’s 2015 Print Workshop. Iancu, who completed her BFA from the Nova Scotia College of Art and Design, and received the J. Wallace & Katie Dean Graduate Fellowship
during her first year at UT, will be the third graduate student from UT to be selected for this award since it was established eight years ago. The subject of Iancu’s art is crashes of various sorts; cars, planes, boats and trains. Iancu is interested in the media representation of such crashes, their trivializing by over exposure and the loss of empathy for the victims.
10 a.m. – 6 p.m. This annual exhibition, now in its 3rd year, features the work of 13 graduate students currently in pursuit of their MFA at the University of Tennessee, Knoxville. The inaugural Orange Exhibition opened in February 2013
at White Box in NYC, and Orange2 opened in Chicago last February at
The University of Tennessee Print Club will host Tanja Softic for a public lecture on Thursday January 29, 7:30pm, in Art and Architecture room AA109. On Monday February 2nd, from 4-5pm Softic will also participate in an artist’s tour of the exhibition “Drawn from the McClung Museum,” McClung Museum of Natural History and Culture on the UT campus. Both events are free and open to the public. During her visit she will also work with students on an editioned print and present a mezzotint demonstration.
Tanja Softic is a Professor of Art at the University of Richmond in Virginia. Softic studied at the Academy of Fine Arts of the University of Sarajevo and earned her M.F.A. in Printmaking from Old Dominion University in Norfolk, Virginia in 1992. From 1991-92, she printed at Kathy Caraccio Etching Studio in New York. She works across the media of printmaking, drawing, photography and book arts. She is a recipient of the Pollock-Krasner Grant, National Endowment for the Arts/ Southern Arts Federation Visual Artist Fellowship and Soros Foundation—Open Society Institute Exhibition Support Grant. Her work is included in numerous collections in the United States and abroad, among them New York Public Library, Library of Congress Print Department and New South Wales Gallery of Art in Sydney, Australia. She participated in 12th International Print Triennial in Cracow, Poland and won a First Prize at the 5th Kochi International Triennial Exhibition of Prints, Ino-cho Paper Museum in Kochi, Japan in 2002. She completed print projects at Flying Horse Press, Tamarind Institute and Anderson Ranch’s Patton Print Studio.
Tanja Softic website: http://tanjasoftic.com/
Koichi Yamamoto, Associate Professor of Art is one of only three artists working in the United States selected for Premio Leonardo Sciascia E’stampes, an international exhibition of intaglio prints that will tour through Italy over the next year. The first stage of the exhibition will take place in Palermo opening January 30th, and will continue to galleries in Florence, Ancona, Venice, and Milan through February 2016. The 29 artists in this exhibition come from France, Australia, Belgium, Poland, China, Holland, Canada, Greece, Japan, Belarus, Italy and the United States. Yamamoto has taught at the University since 2007, and his prints are in the collections of University of Hawaii at Hilo; the Vivian and Gordon Gilkey Graphic Center in the Portland Art Museum; and the University of Alberta Museum and Collection, Edmonton, Canada. Yamamoto earned tenure at Utah State University (2000-2006) and taught at the University of Delaware (2006-2007) before coming to UTK. His work may be viewed at: www.yamamotoprintmaking.com
Beauvais Lyons, a Chancellor’s Professor in the School of Art is one of three artists from an international pool of applicants selected for a $5,000 Artist Award through the St. Louis-based Santo Foundation. The Santo Foundation was established to recognize and assist the careers of individual artists. As the self-appointed Director of the Hokes (sounds like “hoax”) Archives Lyons’ work explores various forms of academic parody. His subjects have included archaeology, folk art, medicine, zoology and various forms of biography. His one-person exhibitions have been presented at over 60 museums and galleries in the United States and abroad with upcoming shows this February at Webster University in St. Louis and Middle Tennessee State University in Murfreesboro. His prints are in numerous public collections including the Smithsonian Museum of American Art, Washington, DC; The Whitney Museum of American Art, New York, NY; and the Philadelphia Museum of Art, Philadelphia. PA. In 2002 he received a Fulbright Fellowship to teach at the Fine Arts Academy in Poznañ, Poland.